FORTY FATHOM BANK | Les Galloway

The writing in this novella is lean and economical. It tells a tale that sets the hook and guides the reader through several surprises to the final reveal.  For me, this book belongs on the same shelf with “The Ledge“ (1959) by Lawrence Sargent Hall, THE OLD MAN AND THE SEA (1952) by Ernest Hemingway  and “To Build A Fire“ (1908) by Jack London.

As a teenager, Les Galloway (1912-1990) shipped out to New Zealand as a seaman and a few years later, dropped out of college to enlist in the Bolivian army. Most of his life he was a commercial fisherman out of San Francisco. His stories were published in Esquire and Prairie Schooner.

ABSOLUTION | Olaf Olaffson

The story of a frozen heart

Peter Peterson fell in love with a girl who tolerated him, perhaps even led him on. Peter followed her from Iceland to Denmark in 1941 where he learned that she opened to another young man. He still loves her, denies that she is lost to him and arranges a weekend away with her. When in his burning desire for her he attempts to make love to her, she rejects him utterly. He takes revenge by informing on her lover to German authorities in occupied Copenhagen. This crime imprisons him for the remainder of his damaged, closed life.

The writing is spare and lucid. The slow-burning fuse of the narrator’s guilt propels the reader forward through the thickets of an average lonely life. There is a distance in the narrative, however, that holds the reader at arms length. As a result, this reader’s take-away is qualified; similar to a footnote that sticks in the memory after details of the tale break apart and fade.

The LITTLE DRUMMER GIRL | John Le Carre

John Le Carré’s tenth novel, The Little Drummer Girl (1983), set the bar for tackling the passions and persistent complexities of the “Palestinian problem.”  It presented the big picture issues of the Israeli-Palestinian conflict by means of specific personal crises and moments of life-and-death will.

The Plot

Fed up with cautious politicians and bureaucrats, Israeli intelligence officer, Martin Kurtz, gathers a small army of spies, malcontents, specialists, master operators-in-training, schemers, and fierce veterans of dark deeds behind the news headlines to craft an elaborate, complex mission to snare a Palestinian terror mastermind.

Kurtz’s most trusted associate is Gadi Becker, a seasoned warrior veteran of every Israeli success of the last 20 years.

At the heart of their scheme is Charlie, a bright, young, unresolved English actress of uncertain distinction. They attract her interest while she is on holiday in Greece with fellow troupers, a largely dissolute lot.

A dark mystery man she comes to know as Joseph (Gadi Becker) sweeps her off her feet and shows her a more intriguing and mysterious life. Soon, Charlie is brought into Kurtz’ fold and offered a chance to make a difference in the theater of the real.

Trained and prepared for the terrible loneliness of deep cover work beyond the protection of her elite team, Charlie becomes the bait that gradually attracts Khalil, the terrorist, to her in ever cautious, ever closing circles through a progression of dedicated soldiers of the Palestinian cause, each more adept and committed than the last. Finally, Charlie is tested by Khalil, who involves her in the assassination of a prominent Jewish intellectual.

Afterwards, when Khalil trusts her, and takes her for himself, he becomes distrustful and is about to kill Charlie when…

Casts a Spell

Rather than spoil the ending for you, I’ll stop there.  If you haven’t already, read this minor classic of the spy genre. We have seen the effects of the irreconcilable claims by Israelis and Palestinians to the same small area of land astride the eastern Mediterranean. LeCarré brings the passions, vexing contradictions, and cultural imperatives alive. The characters are fully realized. The settings are sensory-rich. The plot has enough switchbacks and chicanes to keep the most demanding reader turning pages. And it casts a spell by hewing closely to emotional truth.

The Little Drummer Girl was published in 1983.  Hodder & Stoughton (UK), Alfred A. Knopf (US).  ISBN 0-394-53015-2 (US hardback) George Roy Hill directed the feature film adaptation in 1984, which starred Diane Keaton (Charlie),  Klaus Kinski (Kurtz), and Yorgo Voyakis (Gadi/Joseph).

The Little Drummer Girl: A Novel

Oscar Appreciates A Good Novel

The 82nd Academy Awards, 7 March 2010

Cheers for the writers who created novels, non-fiction books, and memoirs that inspired filmmakers to bring their characters and stories to life on the silver screen.

Oscar nominees derived from a Novel:

“A Single Man” (1964) by Christopher Isherwood

“Crazy Heart” (1987) by Thomas Cobb

“Fantastic Mr. Fox” (1970) by Roald Dahl

“Harry Potter and the Half-Blood Prince” (2005) by J. K. Rowling

“Precious” based on the novel “Push” (1996) by Sapphire

“The Last Station” (1990) by Jay Parini

“The Lovely Bones” (2002) by Alice Sebold

“Up In The Air” (2001) by Walter Kirn

Oscar nominees derived from a Book (non fiction):

“Coco Before Chanel” based on the book, “Chanel and Her World” (2005) by Edmonde Charles-Roux

“Invictus” based on the book, “Playing the Enemy: Nelson Mandela and the Game that Made a Nation” (2008) by John Carlin

“Julie and Julia” by Julie Powell, (“My Life in France” [posthumous] autobiography by Julia Child and Alex Prud’homme)

“The Blind Side”  by Michael Lewis (“The Blind Side: Evolution of a Game”) (2008)

Oscar nominees derived from a Memoir:

“An Education” by Lynn Barber