Takeaways As Starting Points

As winter departs, spring's bright colors, roaring winds and fresh new life surge around us. The snow melts, overcast skies clear, the sun rises earlier. We adapt to new temperatures, weather, angles of light, and soon we forget an entire season of our life. It's lost to memory. Yesterday’s reality becomes history. So we rise to opportunity and break new ground.

When we recall yesterday, an image usually rises from our vague fragmented recollections to help us make sense of our experience. The memory might be of an action we took or didn't take, a friend’s wry expression, a flash of insight while driving to work, a discovery, a sound, a feeling of peace, fear or purpose. Did we connect with our goal? Most of us have fewer specific recollections about yesterday than we have unanalyzed feelings about that recent past.

Three Ridges at the Snowline | Mark Roger Bailey

Three Ridges at the Snowline | Mark Roger Bailey

As for seasons, what about the winter recessing in your rearview mirror will you recall next week, next season or next decade? What about this winter's short, brilliant days and long shadowed nights will define it in your memory?

Start there. Process what meant most yesterday, then tackle today. Don't overthink it, recognize what mattered most, and invest it in today.

Does your latest artwork-in-progress resonate?  Does it capture the meaning you intended? Probably not yet. It will come.

Next week, when a crisis emerges, what if anything will we recall about our response to this image?

Tomorrow, when we're getting traction on the next challenge, what should we think about our exchange today?

Start here, now, with your thought or feeling that rose above the others about our departing winter. Our minds retain ideas and events that intersect with emotional, physical or psychological needs in the folds of our brain as latent memory. Later, it can manifest unexpectedly. We may not recognize its origin, yet that dispatch from the front lines of our experience is telling us something that our subconscious believes is important. That conscious connection may seem random, yet in my experience, it is often a clue to a core concept. Yesterday's topline memory becomes a takeaway, a suggestion for a course correction if I am aware enough to act on it.

Takeaways are powerful starting points.

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View my Shoreline Collection and please stop by my Gallery Shop to consider a special series of signed and numbered limited-edition prints for the collector. A haunting perspective of shore life or a miniature print of a tall ship would make a wonderful gift for yourself or a thoughtful surprise for a friend. 

The Rule of Thirds

What is it about the rule of thirds that is so aesthetically right?

For balance and symmetry, few artistic guidelines are as clear, straightforward and understandable as the rule of thirds. As rules go, it is highly visual, satisfyingly geometrical and accessible. If you feel hemmed in by rules, think of it as just a good idea, a guide or a hack. The fact is, it works.

There is something about thirds that is deeply meaningful and impactful for most of us. The human eye has evolved to discern pattern and, perhaps more importantly, changes in pattern. The power of the rule is in its effectiveness at helping visual artists leverage this insight about how we read an image to sharpen the viewer’s understanding of the image and help him or her interpret the artist’s theme, storytelling or artistic statement. 

How it works

The rule of thirds breaks any image into thirds with two vertical and two horizontal lines that deconstruct any visual into nine equal parts. When we organize the image with changes in pattern, texture, subject or action along those vertical or horizontal lines, we help our viewer recognize and interact with the distinctive characteristics of the image. 

rule_of_thirds_grid_png_1190490.png

When we place what we consider to be the most essential component of our composition at the intersection of the lines – represented here by the blue dots – we optimize the power of the image for its inherent artistic value and for viewers who are viewing our work. Knowing this and integrating it into my compositional workflow when I learned it early and often in graphic design courses and photography and film work has made all the difference. I apply the rule of thirds at one time or another in my composition of any image. I don’t always select it, but I consider it and it always helps me evaluate a scene. 

Schooner Mary E. Running North Near Lyme | Mark Roger Bailey

Schooner Mary E. Running North Near Lyme | Mark Roger Bailey

This week’s image both follows the rule and breaks it. In Schooner Mary E. Running North Near Lyme, I composed the image in thirds: the sea in the bottom third, the land through which the Mary E. appears to be sailing in the center third, and sky in the upper third. So far, I have followed the vertical rule of thirds, but not completely. 

I could have placed the Mary E. at either intersection of the vertical and horizontal lines. I shot those versions but decided the action closer to center focused more attention on the phenomenon of the schooner apparently sailing on land. 

Spoiler Alert: In fact, the land we see between the water and the schooner is a narrow island in the middle of the channel. Mary E. is sailing up the larger waterway on the other side. 

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View my Shoreline Collection and please stop by my Gallery Shop to consider a special series of signed and numbered limited-edition prints for the collector. A miniature print of a tall ship would make a wonderful gift for yourself or a thoughtful surprise for a friend. 

SKROWERIF | Knate Myers

Knate Myers is a photographer and artist who creates multimedia experiences with images, motion and music. He is also an accomplished videographer. This piece reminds me of the way Explosions In The Sky's music transports us.  

In SKROWERIF, Knate demonstrates that he is at home with metaphor. Don't think about it too much, just enjoy. 

Thanks, Knate, for sharing your remarkable work.

... Music used with permission: "An Ocean Tumbled By" - Lowercase Noises http://www.lowercasenoises.com/ http://www.facebook.com/lowercasenoises www.facebook.com/kn8photo

Full Moon Silhouettes

I invite you to pause for a moment to view this video by Mark Gee of Wellington, New Zealand

Shot on a Canon ID MkIV in video mode with a Canon EF 500mm f/4L and a Canon 2x extender II, giving the equivalent focal length of 1300mm.

Music – Tenderness by Dan Phillipson : premiumbeat.com/royalty_free_music/songs/tenderness

markg.com.au
facebook.com/markgphoto

Mark Gee – Wellington, New Zealand

Good Night, Earth

By markrogerbailey

Photographer Knate Myers compiled this amazing time-lapse video from stills captured by crew members on the International Space Station (ISS) and shares it with us on Vimeo.  The perspectives, scale, movement, and color are amazing.

Thank you, Knate.  This is inspired, and inspiring, work.

Images Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
eol.jsc.nasa.gov

Music by John Murphy – Sunshine (Adagio In D Minor)
itunes.apple.com/us/album/sunshine-music-from-motion/id297702863

Related Links

Vimeo | Knate Myers

Knate Myers | Photography  (Zenfolio)